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The AnatomistBy Federico Andahazi
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A lyrically written, sensual, and extraordinarily enjoyable novel in which a Renaissance anatomist's astonishing discovery forever changes the female erotic universe.
In sixteenth-centruy Venice, celebrated physician Mateo Colombo finds himself behind bars at the behest of the Church authorities. His is a crime of disclosure, heinous and heretical in the Church's eyes, in that his research threatens to subvert the whole secular order of Renaissance society. Like his namesake Christopher Colombus, he has made a discovery of enormous significance for humankind. Whereas Colombus voyaged outward to explore the world and found the Americas, Mateo Colombo looked inward, across the mons veneris, and uncovered the clitoris. Based on historical fact, The Anatomist is an utterly fascinating excursion into Renaissance Italy, as evocative of time and place as the work of Umberto Eco, and reminiscent of the earthy sensuality of Gabriel García Márquez. Perceptive and stirring, it ironically exposes not only the social hypocracies of the day, but also the prejudices and sexual taboos that may still be with us four hundred years later.
- Sales Rank: #1613766 in Books
- Published on: 1999-09-14
- Released on: 1999-09-14
- Original language: English
- Number of items: 1
- Dimensions: 7.97" h x .58" w x 5.10" l, .43 pounds
- Binding: Paperback
- 228 pages
Amazon.com Review
"O my America, my new-found-land!" Mateo Renaldo Colombo (or Columbus, to give him his English name) might have written in his De re anatomica."
It is no accident that Federico Andahazi draws a parallel between his Renaissance hero, the anatomist Mateo Colombo, and the explorer Christopher Columbus. It is the conceit of his first novel, The Anatomist (beautifully translated from the Spanish by Alberto Manguel), that both Colombos made "equally momentous and disturbing" discoveries. Every schoolchild can tell you what Columbus's was; less well known, perhaps, is that of his countryman and fellow "explorer." "Mateo's America is less distant and infinitely smaller than Christopher's; in fact, it's not much larger than the head of a nail." In short, Mateo Renaldo Colombo discovered the Amor Veneris, the clitoris.
Andahazi makes much of this discovery, not to mention its discoverer: "The discovery of Mateo Colombo's America was, all things considered, an epic counterpointed by an elegy. Mateo Colombo was as fierce and heartless as Christopher. Like Christopher (to use an appropriate metaphor) he was a brutal colonizer who claimed for himself all rights to the discovered land, the female body." Certainly women readers will view this description with at least as much irony as Native Americans regard that other Columbus's "discovery" of a land they had known about all along.
The Anatomist is based on a historical figure and historical fact; what Andahazi provides is his title character's heart and soul. The fictional Colombo is driven by desire for the high-priced courtesan Mona Sofia. Though Mateo adores her, the heartless Sofia regards him as nothing more than a paying customer. After breaking both his heart and his bank account over her, Colombo returns to his native Padua whence he is eventually called to Florence to treat a saintly young widow, Inés de Torremolinos. Inés is "infinitely beautiful," and her illness is "far from common." While examining her, he discovers "between his patient's legs a perfectly formed, erect and diminutive penis." Land ho.
Though Colombo's "discovery," first in Inés and then in other women, offers plenty of opportunity for eroticism, the most compelling aspect of The Anatomist lies in the Church's reaction to De re anatomica, the book Colombo writes detailing his find. The Renaissance may well have signaled the birth of new art, science, and philosophy, but it was also the age of Inquisition--and Colombo's unfolding of "the key to the heart of all women ... the anatomical cause of love" soon lands him in prison on charges of heresy and Satanism. The trial, Mateo's defense, and the surprising aftermath make for provocative reading and raise The Anatomist above the level of the merely erotic to a more intriguing philosophical plane, one that is sure to prompt a lively discussion or two. --Alix Wilber
From Library Journal
Matteo Colombo of Padua, capable of rendering the most exquisite anatomical charts and who is in fact the most famous anatomist in Europe, is a Renaissance man infused with the spirit of Leonardo. The dissection of cadavers has long been forbidden by the Church, but it is not for this heresy that Matteo is hounded by the Inquisition. Much as the hands of a musician caress an instrument, his anatomist's hands have learned the magic of roaming a woman's body and, just as his namesake, Cristoforo Colombo, discovered America, Matteo discovers the small erectile organ hidden behind the fleshy labia that is today called the clitoris. And it is for this "crime" that he is imprisoned. Based on the actual historical case, this captivating first novel by a Buenos Aires psychiatrist is unexpectedly light, ironic, sensual, evocative of its era, and a pleasure to read. Recommended for all libraries.
-?Jack Shreve, Allegany Coll. of Maryland, Cumberland
Copyright 1998 Reed Business Information, Inc.
From Booklist
Argentinian short story writer Andahazi brings his flair for satire to his first novel, an arch improvisation on the life of an actual Italian Renaissance physician. Andahazi's Mateo Colombo, or Columbus, is, like his namesake, an explorer, but his discovery is on a very human scale. To be precise, his America is the Amor Veneris, the "organ that governs the love of women." Yes, this intrepid anatomist happens upon the clitoris and cannot believe his good fortune. He conducts in-depth research with a number of willing prostitutes until rumors begin to fly, and his enemies at the university report him to the authorities. Placed under house arrest in anticipation of his trial for heresy, blasphemy, witchcraft, and satanism, he pines for his true love, the most beautiful and scornful whore in all of Italy. Meanwhile, the woman who led him to the promised spot, a pious and philanthropic young widow living in Florence, is praying for his return. Andahazi flirts with the conventions of tragedy, but parody rules, especially when Colombo mollifies his accusers over the course of his pseudoscholarly self-defense by assuring them that women have no soul. Stylistically on a par with Umberto Eco, albeit in a burlesque mode, Andahazi succeeds in exposing the hypocrisy of those inquisitional times, and his novel is definitely a cut above most on the best-seller lists, where it landed after arousing great controversy in Argentina, but it nonetheless rings hollow, eliciting laughter more queasy than jolly. Donna Seaman
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